What’s in a Name?

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A Facebook friend shared that she sent a letter to a well known writer in response to an article he posted at his website. The article included a reference to Emily Webb Gibbs, a character from the Sinclair Lewis play, “Our Town.” My friend’s comment triggered a memory of my high school classmate, MerriJo Morton*. MerriJo was a member of my sophomore class when we went to see Lewis’s play “Our Town.”  The character Emily Webb Gibbs made quite an impression on her too, as you will see…

My high school American Lit class was given free passes to a production of “Our Town” at the Seattle Rep as part of an arts appreciation effort directed toward Seattle area high school kids. One member of our group, MerriJo, was not the least bit pleased about going to see the play but was glad to get out of the standard classroom setting for an afternoon. We were all in our seats, the play ready to begin when MerriJo, unhappy and feeling stifled in the theater, began to get noisy and somewhat disruptive. Her behavior generated scowls and urgent whispers of “Shhh!” and “Sit down!” from teachers and classmates alike. 

 Once the play started, MerriJo relaxed and became attentive to and engaged in the stage presentation. No one knew just how engaged she was until the moment in the play when it became clear that the main character, a young mother named Emily Webb Gibbs, had died. Shocked and obviously upset, MerriJo suddenly sat up in her seat and leaned toward the stage as she keened, “No-ooo! No-ooo!” This time, her noisy outburst was met with compassion, tissues, and hugs. Many of the students in the audience were weeping, but MerriJo was the only one who let her feelings truly, intensely, enter into the action of the play. She had crossed the threshold from a passive observer in the audience to a fully involved participant in the story.

On our way home after the play, there was plenty of discussion about what we had just experienced at The Rep, and MerriJo spoke with a seriousness that no one had seen in her before. The play had affected all of us, but it had changed MerriJo.

MerriJo’s emotional reaction to the death of Emily in the play initiated several surprising outcomes. First, it improved some opinions about MerriJo, herself. She earned a new level of respect that day because she illustrated to us how powerful the arts can be, even for someone who was not particularly interested in them.

Second, MerriJo’s grief-stricken response to Emily’s death drew attention to the importance of the ghost-Emily’s question in the play – a question which also happened to be the central theme of the play: Does anyone truly understand the value of life while they live it?

And finally, thanks to MerriJo, I think the actors in that presentation of Seattle Rep’s “Our Town” went home happy, maybe even saying to themselves, “Mission accomplished.” 

True story. 

Has a work of art ever been the source of a profound impact on your life?

*Story is true but the name MerriJo is not.

Arrived at the Glen Workshop!

Arrival at the Santa Fe airport was on time. The shuttle that took us from the airport (pictured left )to Saint John’s College, the site of the workshop, made several stops which allowed bus risers to get a glimpse of the city of Santa Fe — very enticing! Mountains are all around- what a gorgeous setting!
Tomorrow morning we will begin the workshop at 9am. Professor Karen Swallow Prior is the mastermind behind the class ( there are many other excellent classes offered as well, as you can discover when you go to the link) called Fun With Flannery, an in-depth look at the short stories of Flannery O’Connor. So, let the fun begin!

The best age to be…

 

 

three year old

If you ever get the opportunity to speak to a three-year-old, ask them this question: “How old are you?” Chances are they will look you in the eye, hold up three fingers and say, “Free.” Ginny Junttila, my sister Claudia’s mother-in-law, who was a kindergarten teacher for decades, told me she had asked this question of many three-year-old children over the years and almost all of them had responded the same way. And then Ginny added, “Isn’t that lovely? Everyone should have a year to be “free,” don’t you think?”

Yes, I do think everyone should have a year, or more, to be free. And a place to be free, also. Wouldn’t it be wonderful if Christian churches were thought of as places where one is free? places where one is free to ask questions about Jesus and other important subjects?  places where one is free to discover what it means to be truly human?

Perhaps we need to change our adult thinking and regain the unselfconscious mind of a three-year-old in order to grasp what it means to be free, to live in freedom in Christ.

 “He called a little child to him and placed the child among them. And he said: ‘Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven.’ ” (Matthew 18:2-4) NIV